Essay on Mahila Divas in Hindi

bhaarateey sanskrti mein naaree ke sammaan ko bahut mahatv diya gaya hai. sanskrt mein ek shlok hai- yasy poojyante naaryastu tatr ramante devata :. arthaat, jahaan naaree kee pooja hotee hai, vahaan devata nivaas karate hain. kintu vartamaan mein jo haalaat dikhaee dete hain, usamen naaree ka har jagah apamaan hota chala ja raha hai. use bhog kee vastu samajhakar aadamee apane tareeke se istemaal kar raha hai. yah behad chintaajanak baat hai. lekin hamaaree sanskrti ko banae rakhate hue naaree ka sammaan kaise kiy jae, is par vichaar karana aavashyak hai.

maata ka hamesha sammaan ho

maan arthaat maata ke roop mein naaree, dharatee par apane sabase pavitratam roop mein hai. maata yaanee jananee. maan ko eeshvar se bhee badhakar maana gaya hai, kyonki eeshvar kee janmadaatree bhee naaree hee rahee hai. maan devakee (krshn) tatha maan paarvatee (ganapati / kaartikey) ke sandarbh mein ham dekh sakate hain ise.

kintu badalate samay ke hisaab se santaanon ne apanee maan ko mahatv dena kam kar diya hai. yah chintaajanak pahaloo hai. sab dhan-lipsa va apane svaarth mein doobate ja rahe hain. parantu janm dene vaalee maata ke roop mein naaree ka sammaan anivaary roop se hona chaahie, jo vartamaan mein kam ho gaya hai, yah savaal aajakal yakshaprashn kee tarah chahunor paanv pasaarata ja raha hai. is baare mein naee peedhee ko aatmaavalokan karana chaahie.


baajee maar rahee hain ladakiyaan
agar aajakal kee ladakiyon par najar daalen to ham paate hain ki ye ladakiyaan aajakal bahut baajee maar rahee hain. inhen har kshetr mein ham aage badhate hue dekha ja sakata hai. vibhinn pareekshaon kee merit list mein ladakiyaan tejee se aage badh rahee hain. kisee samay inhen kamajor samajha jaata tha, kintu inhonne apanee mehanat aur medha shakti ke bal par har kshetr mein praveenata arjit kar lee hai. inakee is pratibha ka sammaan kiya jaana chaahie.

kandhe se kandha milaakar chalatee naaree
naaree ka saara jeevan purush ke saath kandhe se kandha milaakar chalane mein hee beet jaata hai. pahale pita kee chhatrachhaaya mein usaka bachapan beetata hai. pita ke ghar mein bhee use ghar ka kaamakaaj karana hota hai tatha saath hee apanee padhaee bhee jaaree rakhanee hotee hai. usaka yah kram vivaah tak jaaree rahata hai.

use is dauraan ghar ke kaamakaaj ke saath padhaee-likhaee kee doharee jimmedaaree nibhaanee hotee hai, jabaki is dauraan ladakon ko padhaee-likhaee ke alaava aur koee kaam nahin rahata hai. kuchh navuyavak to theek se padhaee bhee nahin karate hain, jabaki unhen isake alaava aur koee kaam hee nahin rahata hai. is najarie se dekha jae, to naaree sadaiv purush ke saath kandhese kandha milaakar to chalatee hee hai, balki unase bhee adhik jimmedaariyon ka nirvahan bhee karatee hain. naaree is tarah se bhee sammaananeey hai.

vivaah pashchaat
vivaah pashchaat to mahilaon par aur bhee bhaaree jimmedaariyaan aa jaatee hai. pati, saas-sasur, devar-nanad kee seva ke pashchaat unake paas apane lie samay hee nahin bachata. ve kolhoo ke bail kee maanind ghar-parivaar mein hee khatatee rahatee hain. santaan ke janm ke baad to unakee jimmedaaree aur bhee badh jaatee hai. ghar-parivaar, chauke-choolhe mein khatane mein hee ek aam mahila ka jeevan kab beet jaata hai, pata hee nahin chalata. kaee baar ve apane aramaanon ka bhee gala ghont detee hain ghar-parivaar kee khaatir. unhen itana samay bhee nahin mil paata hai ve apane lie bhee jien. parivaar kee khaatir apana jeevan hom karane mein bhaarateey mahilaen sabase aage hain. parivaar ke prati unaka yah tyaag unhen sammaan ka adhikaaree banaata hai